It was an absolute privilege to capture this raw emotional performance from Sara. We filmed this pretty much as a oner (long take), although we ended up combining some elements from the live show as well because the audience's reaction at the end was huge. I think for me it has to be Sara Bareilles’s incredibly powerful performance of ‘She Used To Be Mine’. Tell us about a favorite scene or moment from this project and why it stands out to you. This helps streamline the editing process, particularly for short-form content. Quite often I have a ‘selecting’ process where I select out the best moments/takes from the rushes. This will include importing the proxies, creating Multicam sync sequences and re-speeding off-speed footage etc.
This process can vary, if it's a long-form project then our assistant editors normally prep the projects for the editors. How do you begin a project/set up your workspace? To start with I was editing in Final Cut Pro 7 before Apple ditched it, we then jumped ship to Adobe Premiere Pro which was a pretty seamless transition for us.
From the beginning, our creative directors would gradually hand me bigger and more challenging projects to get my teeth into.
#Premiere pro editing software#
ProTools and Logic were my editing software choices before I began my career in post-production.Įditing videos I pretty much learned on the job, although I think it’s always come quite instinctually to me, and I’ve always enjoyed crafting stories.
I learned to edit audio long before I was editing video. How and where did you first learn to edit? I had initially intended to get into dubbing mixing and sound design for film and I was also writing/performing/recording music on the side.Īfter graduating, I started (as many media graduates do) applying for runner positions at post-production houses and recording studios and ended up getting a job at London-based production company Steam Motion & Sound.įast-forward 15 years and I’m now Creative Associate and Senior Editor for that same company. I graduated from University in 2006 with a degree in Music Technology. I actually never intended to become a filmmaker, I came from a music background which ultimately translated pretty well into my current role. Read on below to hear about David’s journey as a filmmaker.Ĭan you tell us about your experience as a filmmaker and how you got started in the industry? “Waitress, the Musical - Live on Broadway!” is set to premiere at Tribeca on June 12th. The ability to import timecode comments as markers directly into a Premiere Pro sequence is really handy,” shares David. “Frame.io has simplified the process of both internal and client feedback immensely. The editing process of this production was streamlined by editor David Tregoning, who used Premiere Pro and Frame.io, to reflect and enhance the authenticity of the original production.
With original music and lyrics by singer Sarah Bareilles, the production beautifully captures the essence of the original story. Based on the beloved film of the same name, the musical adaptation captured the hearts of audiences worldwide. “Waitress, the Musical - Live on Broadway!” takes you on the journey into the life of Jenna Hunterson (Sara Bareilles), a talented pie-maker and waitress trapped in an unfulfilling marriage in a small town. Editor David Tregoning uses Premiere Pro and Frame.io to edit Tribeca film “Waitress, the Musical - Live on Broadway!”
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